Homes and apartments
Layered light for living: general, task, accent and the low night-time scene nobody remembers to ask for until they are living there.
We work alongside you and your architect from the reflected ceiling plan onward — so the lighting is part of the building, not something added once the ceiling is closed.
Everything we issue is meant to be used by someone else: an architect coordinating a ceiling, an electrician pulling cable, an estimator pricing a package.
Layered light for living: general, task, accent and the low night-time scene nobody remembers to ask for until they are living there.
Scenes that move from morning to evening service on a schedule, with accent light that keeps merchandise and finishes reading correctly.
Comfortable levels and glare control on the desk, daylight harvesting on the perimeter, and tunable white where the day is long.
A dimming scheme decided after the fixtures are chosen is a compromise. We choose fixtures, drivers and topology together, on a DALI-2 backbone, so the scenes you want are possible before anything is ordered.
We agree how the room should look in each mode, then work backwards to the addressing, the driver count and the number of lines.
Bus power, line length and device count checked on paper, so commissioning is not the moment you discover the topology is wrong.
Spare capacity on each line and a naming convention that still makes sense to someone reading it in five years.
Early enough to influence ceiling build-ups, cove details and where the drivers can live. This is the cheapest moment to get it right.
Fixture selection against the finishes and the daylight, coordinated with mechanical and structural in the ceiling void.
A schedule the contractor can price line by line, and answers to RFIs while the job is running.
We set the scenes on site with the client in the room — the design is not finished until the light in the space is right.
The best lighting decisions are made while the ceiling is still a line on a drawing. Send the plans and we will tell you what we would change.